Metacinema

The Form and Content of Filmic Reference and Reflexivity

Paru le : 2021-07-27

When a work of art shows an interest in its own status as a work of art—either by reference to itself or to other works—we have become accustomed to calling this move "meta." While scholars and critics have, for decades, acknowledged reflexivity in films, it is only in Metacinema, for the first time...
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Auteur


Collection
n.c

Parution
2021-07-27

Pages
416 pages

EAN papier
9780190095345

Auteur(s) du livre


David LaRocca is the author, editor, or co-editor of twelve books, including The Thought of Stanley Cavell and Cinema, The Philosophy of Documentary Film, The Philosophy of War Films, and The Philosophy of Charlie Kaufman. He has contributed book chapters on Werner Herzog, Terrence Malick, Michael Mann, Sofia Coppola, Casey Affleck, Kelly Reichardt, Errol Morris, Rithy Panh, Christopher Nolan, Spike Lee, Joel and Ethan Coen, Steven Spielberg, Robert Zemeckis, Tim Burton, and Charlie Kaufman. His articles have appeared in Afterimage, Conversations, Epoché, Estetica, Liminalities, Post Script, Transactions, Film and Philosophy, The Senses and Society, The Midwest Quarterly, Journalism, Media and Cultural Studies, The Journal of Aesthetic Education, and The Journal of Aesthetics and Art Criticism. As a documentary filmmaker, he produced and edited six features in The Intellectual Portrait Series, directed Brunello Cucinelli: A New Philosophy of Clothes, and codirected New York Photographer: Jill Freedman in the City. He was Harvard's Sinclair Kennedy Traveling Fellow in the United Kingdom and participated in an NEH Institute, a workshop with Abbas Kiarostami, Werner Herzog's Rogue Film School, and the School of Criticism and Theory at Cornell. He has taught philosophy and cinema and held visiting research and teaching positions at Binghamton, Cornell, Cortland, Harvard, Ithaca College, and Vanderbilt.

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